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Author: lucaluca

Droog design Ferrero1947

Droog

Droog Design is a collective of Dutch designers who design and self-produce contemporary and experimental furniture,
lamps and objects. Many of them, after the first works with Droog, have become very famous, starting to collaborate with
the most famous design companies, among them: Marcel Wanders, Nella Jongerius, Tejo Remy, Richard Hutten,
Juegen Bey …
The Dutch name Droog means “dry, dry” precisely to underline the pure interest in design, without any accessory
element deemed unnecessary; the collective was born in 1993 from an idea of ​​Gijs Bakker and Renny Ramakers, after
obtaining a very positive response on the occasion of an exhibition curated by themselves in Milan during the
International Furniture Fair, showing the works of young Dutch designers . After this experience, the 2 founders,
comforted by the great critical success, entered into an agreement with DMD (Development Manufacturing and
Distribution) to produce their products, many of them in limited edition and to be able to sell them in their headquarters
in Amsterdam and in Worldwide.
In the following years the exhibitions and presentations during the Milan International Furniture Fair continued with
unchanged success and regular cadence and the collective also found an agreement with the Central Museum to
permanently present the entire Droog collection. The great intuition of the two founders was precisely to tie the
designers into a single collective, having a more bursting and incisive form of feedback on the public and at the same
time to agree with an important museum institution that would guarantee seriousness and high prestige.
The duo, assisted by all the designers, developed from 2000 onwards a real Droog concept, very recognizable and
always brilliant, in different sectors, always remaining faithful to the same principles of originality and clarity, coming to
create an archive of more than 150 products, often produced also in collaboration with important specialized
companies, such as Rosenthal for a project on ceramics and porcelain.
In 2009 Gijs Bakker left the direction of Droog Design, while Renny Ramakers continued and continues to carry on the
discussion with unchanged energy and pursuing the same philosophy: to recognize the high conceptual value, starting
from an intuition, a reasoning or a sensation and reach a “dry, dry” product, without fringes, rigorous and in clear
contrast to the designer design.
Among the most successful products the Marcel Wanders “Knotted Chair”, the “Chest of Drawers” chest of drawers by
Tejo Remy, the “Hippo Mat” hippo-shaped mat by and Annink, the apparently improvised “85 Lamps” chandelier by
Rodi Graumans and the lace screen, which casts a romantic shade of leaves, named after Chris Kabel’s “Skydilace
Parasol”.

 

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Usm - Ferrero1947

USM

USM was founded in 1885 as a metallurgical and forging company by Ulrich Schaerer. The factory and management were and still are in Munsingen, Switzerland. In the early decades of the twentieth century, USM began to specialize in window accessories, ornamental hinges and precisely worked steel sheets. In the 1960s, the transformation into a furniture factory worldwide took place; Paul Schaerer joined the company in 1961, starting three generations of USM management of the Schaerer family. After studying engineering at the Swiss Federal Institute of Technology in Zurich, he is determined to renew the company – starting from the same factory and USM headquarters; He then commissioned the architect Fritz Haller to design a new office and factory pavilion using a modular construction system in flexible steel, easily adaptable to various production processes and changes in the sector.

In 1963, Haller and Schaerer created furniture that is in tune with the modularity and versatility of the new factories. Furniture, like buildings, are not focused on individual pieces, but on a system of steel modules that can be adapted and reconfigured to meet the different needs of the factory and the company’s offices. The foundation of the system is an elegant and ingenious ball joint, for which they require a patent in 1965.

Although initially designed for exclusive use in USM offices, the furniture system quickly draws attention thanks to its versatility, durability and style; consequently the production and commercial sale of the USM Haller system began in 1969 with an order of 600 workstations from the Rothschild Bank in Paris, France.

During the last decades of the twentieth century, USM conquered the world, opening branches in Germany, France and the United States and also the first exclusive exhibition space in Hamburg, Germany in 1998. In the following year, USM launched USM Kitos, a series of customizable and height adjustable desks and tables.

Shortly thereafter, the fourth generation of the family joined the company, represented by the current CEO Alexander Schaerer. The status of USM Haller as an icon of modern design is confirmed in 2001 with the exhibition in the permanent collection of the Museum of Modern Art (MoMA) in New York. USM continues to develop its leadership in protecting the environment and in 2007, the company received Greenguard accreditation, which certifies that its products have low emissions of chemicals and particles and therefore help to reduce indoor air pollution; USM furniture is the first European product to meet the strict Greenguard criteria.

In 2015, the 50th anniversary of the creation of the USM Haller modular furniture system was celebrated, also through constant and continuous updating in harmony with new housing and working needs.

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Living divani - Ferrero1947

Living Divani

Perfection and harmony in proportions and understated luxury flavor are the sign of recognition of Living Divani, a family-run company, which has made the padding its trademark. From the early 70s to today, the company traces a precise path, establishes an intense dialogue with modernity and becomes one of the reference points in the design panorama.

Strategic is the collaboration with Piero Lissoni, who since 1988 in the dual role of Art Director and designer, orchestrates its unique style, infusing the company with its unmistakable design figure made of discretion and formal neutrality, lightness and dynamism, with a calibrated design , essential, which combines the clarity of lines and shapes, with ergonomics and comfort.

Over the years, architects Piero Lissoni have been involved with designers of international caliber, who share the trait and the design approach with the company, as well as projects of young talents who have come to the company through a punctual talent scouting work among the new design levers: different visions that although unique in their individuality, have the same common denominator, the theme of harmony and the ‘delicacy’ of the forms, the praise of linearity, formal cleanliness, such as the Family Chair collection by Junya Ishigam.

An articulated offer of sofas, armchairs, beds and accessories was thus created; a gradual creative and productive process, which revolves around the padded system, be it indoor or outdoor, with discrete shapes and volumes, around which stronger-looking accessories are proposed – chairs, armchairs, tables, coffee tables, bookcases, containers and rugs – which adapt and define every environment, from the most essential and rigorous ones to the most eclectic and decorative ones. Among the most iconic models we must certainly mention Extra Wall and Extra Soft, Softwall Bed, but also the Frog armchair, all in their possible variations for indoors and outdoors.

Next to the living area, the sleeping and outdoor areas have harmoniously developed. The beds are the natural development of sofas, also characterized by sober and neutral shapes; these include the Chemise Bed, Extra Soft Bed, Avalon Bed models … For the exterior, on the other hand, dedicated fabrics with a precise and solid touch cover shapes already used for the interior; a double function, which on the one hand emphasizes its versatility, on the other it creates furnishing solutions that allow a greater fusion between interior and exterior.

Living Divani’s proposal is also oriented towards the contract sector where quality, technical performance and customization possibilities make it possible to be present worldwide in different sectors: offices, banks, airports, hotels, waiting areas, museums, restaurants and showroom, always with clear characteristics of sobriety and refinement.

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Vibieffe - Ferrero1947

Vibieffe

Vibieffe was born in Lissone in Brianza in 1968 for the creation of high quality upholstered furniture, sofas and beds with a tailored approach, where each process is characterized by a solid tradition and craftsmanship. The iconic product par excellence of the company is the sofa that converts into a bed, available in all possible aesthetic variations, such as the most famous, the Squadroletto, where it is possible to obtain complete customization through the choice of armrests, sizes and fabrics. The same goes for the more recent models such as Happy, Tangram, Bel Air, Gulp, Prince.
All models are made with a composite and multilayer wood structure, and designed with the utmost attention to style, refinement, quality and attention to detail typical of Made in Italy interior design. All sofas can be covered by choosing from an infinite range of types of fabrics and leathers, particularly refined, in all the main colors: leather, leather, cotton, linen, wool, velvet, made with tailoring and craftsmanship. The padding and seat cushions are in polyurethane foam covered with a thermal layer. The back cushions are in washed and sterilized down mixed with siliconized polyester fiber.
The opening and closing mechanisms of Vibieffe sofa beds use different types of solutions, highly safe and reliable, they are designed and tested to last over time and are the result of years of research and innovation, development and use of advanced technologies ; the mechanisms differ according to the technology used: with elastic belts, with electro-welded mesh or with wooden slats for the ecowood version according to the different models. The bed can be equipped with a spring mattress, or in polyurethane foam, with a Memory foam, Waterlily or latex mattress. The cushions are in polyurethane foam and washed and sterilized down mixed with siliconized polyester fibers. Vibieffe mattresses are of high quality, certified and covered with antibacterial, anti-mite and antifungal fabrics, which ensure hygiene, elasticity, ergonomics and breathability. This attention to mechanisms and mattresses has made the world leader in the sector not easy for the convertible sofa.
Another important section of the Vibieffe catalog is represented by the padded beds, traditional or more contemporary, which can be personalized and made unique by choosing from an infinite range of fabric or leather coverings, also with tailoring and handcrafted finishes of the highest quality, which often resume ancient Italian traditions. The covers are removable and washable. The supporting structure of all the beds is made of steel, while the orthopedic bed bases are made of evaporated beech slats. In some models, on request, a basic structure with a box underneath can be opened, which can be opened with a tilting lift or with a horizontal lift. All mechanisms are made with materials that comply with environmental protection regulations, non-toxic and non-harmful. The mattresses are certified and available in Aqupur and Memory Form cans, in natural latex foam, with springs or with pocket springs, covered with antibacterial, anti-mite and antifungal fabrics to ensure hygiene, ergonomics, elasticity and breathability. Many models have the exclusive Up & Down system on request, or an adjustable mechanism that allows you to place the mattress at the height you are used to. Among the most famous models: Bel air, Soap, Open, Tangram.

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Baleri - Ferrero1947

Baleri

Baleri Italia is an icon brand of the twentieth century, founded by Enrico Baleri and Marilisa Decimo in 1984, and carried on with tenacity and courage, to discover ever new trends and still unknown design protagonists, such as Philippe Starck; Enrico Baleri was the first to understand the great potential of the young French designer and to give him confidence by producing his first projects.

Characteristics of the company are the reflection of the years of sobriety and rigor form / function, the maximum expression of a certain idea of ??design, pragmatic and at the same time utopian and the pursuit of the authentic, non-obsolescent, inconspicuous, coherent, international object . Evergreen objects and collections have always been signed by great masters and debutants from the world of design, which later became style references, giving life to a classic-contemporary universe that today finds vitality, production, communication and commercial strength. The red rooster, wanted by the 2 founders, a Baleri Italia trademark, is a symbol of good wishes for optimism, good humor, luck. The choices of Enrico Baleri, cultured architect and refined protagonist of the history of Italian design, have characterized Baleri Italia’s stylistic choices and corporate philosophy for years, creating a unique brand in the panorama of Italian and international design, free of constraints and free of express yourself with experiments outside the usual framework.

Among the most iconic pieces it is necessary to mention the “Richard III” armchair of 1985 by Philippe Starck, originally designed for the private apartments of the Elysée by the President of the French Republic Francois Mitterand, which incorporates the most consumed type of bourgeois furniture, namely the padded relaxation armchair, emptying it, stylizing it, creating an object effect as a mask in a surprise technological game. Also by Philippe Starck is the “afè” Chair from 1984, designed for the Costes in Paris, the first of a very long series of successful chairs proposed by the French designer.

In the very selective catalog, also the 1992 “Cartoons” screen by Luigi Baroli, winner of the Compasso d’oro in 1994 in self-supporting corrugated cardboard, the “Mama” armchair by Denis Santachiara from 1995, welcoming and domestic, and the collection ” Tato ”, or the poufs and footrests Tato, Tatino and Tatone, by Enrico Baleri and Denis Santachiara, a summary of an intelligent design irony, with generous shapes and colorful coverings.

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Delcourt

A durable and singular approach
When he appears for the first time on the French design scene, it is as Creator of the year at Maison et Objet fair. We are in 1999. Christophe Delcourt is in his thirties and showcases his first creations (objects and lighting) with the particularity of being at the same time their designer, their manufacturer and their editor. The whole at a time when the bare notion « Maison d’édition » is, if not inexistent, still confidential.

This singular approach though is not moved by any kind of mundane quest for independence, but only by the will to give a precise and perfectly mastered frame to what will quickly become a true signature. As a result, a collection of lighting and contemporary furniture pieces, drawn as close as possible to the materials (wood, bronze, metal, ceramics, leather, etc.) and according to traditional craftsmanship..

The French designer’s projects combine raw materials and sober and elegant lines, abundantly inspired by the beauty of natural materials and their ability to be part of the shape of an object thanks to their capillary characteristics such as the richness of the material and the color. The designer has repeatedly admitted that nature is the first inspiring element and initial part of his design process. In fact, in the natural world there are several incredible shapes that can be applied to furniture design: shapes, colors and textures, which can be combined in infinite different ways.
Delcourt’s work is a true testimony of his love for materials and for his deep devotion to artisanal and manual manufacturing; his projects, lamps or furnishings, are never fashionable or the result of rapid trends, but are timeless, refined and unique eternal objects, with the pleasure of seeing them grow old and the certainty that they will accompany you throughout your life.
Its main masters to be constantly looked at as an example and as a major artistic influence are some French design legends such as Jean Prouvé, Pierre Chareau and Jean-Michel Frank.
Recently the designer has completed his work with a specific collection of fabrics, materials and neutral and natural colors, to be used for his furnishings, further perfecting the personal and refined vision of the concept of living and living in his own spaces.
Delcourt’s studio and atelier continues to be in the heart of the 7th arrondissement of Paris, inside a sober and elegant courtyard, next to what was once the historic home of the master of French couture Yves Saint Laurent.

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Artifort

In 2015 Artifort celebrated its 125th anniversary. Each year, our chairs, tables and sofas find their way to the homes of design lovers around the world. It all started in 1890 when Jules Wagemans started a business as an upholsterer in Maastricht.
Artifort stands for furniture that lasts a lifetime. In many cases it passes down through generations. The secret lies in the use of high quality materials and in our skilled employees. The craftsmanship of our upholsterers, welders, woodworkers and seamstresses is at a high level through years of experience and in-house training of our younger employees.
Artifort stands for timeless design. Design that endures. Design that is authoritative. From Pierre Paulin and Geoffrey Harcourt to René Holten and Patrick Norguet. Artifort means top-quality design by top designers.

Artifort includes in its permanent collection many projects by the French designer Pierre Paulin dating back to the 60s and 70s.
Paulin, awarded the highest French honor for the arts and defined by French President Sarkozy as “the man who made design an art”, started working as a freelance designer for Artifort at the beginning of his professional career; this marked the beginning of a long and fruitful collaboration, where comfort has always been the constant starting point.
The works of the Paulin-Artifort association can be admired in the most famous museums around the world and continue to be produced as an example of timeless design: the Tongue, Le Chat, Ribbon, Tulip, Mushroom armchairs … are now considered to be cornerstones of design of the ‘900 and sculptures with great comfort.

 

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Bonacina

Giovanni Bonacina started his business in 1889 in Lurago D’Erba, located in a hilly, fertile part of the area north of Milan known as Brianza, combining two traditional crafts practiced in the area, basketry and furniture making, using the local materials reed and cane, while rattan from Southeast Asia.

His hard work and experience produced excellent results, and his efforts were rewarded with awards in international expositions and numerous important commissions. His son Vittorio carried on and built upon what his father had passed down, taking the company yet another step forward, with an eye on the revolution in design and art that was taking place in the 1950’s, and a new era in the company’s future design, made possible by the winning combination of production experience, the visionary collaboration with talented designers, and a shared willingness to push the materials and shapes into new expressive forms.

Vittorio Bonacina and Co. distinguished itself again and again. Meanwhile Mario Bonacina, Vittorio’s son, was maturing as a designer and as an inspired heir to the family company’s name. With an assurance based on two generations of success he was uniquely placed to take the company towards the future by re-proposing selected historic pieces in updated ways and by continuing to work with important designers in innovative ways.

In step with the times, he emphasized the ecological sustainability of the materials used while carrying on the highly creative and refined work for which the company is known. Vittorio’s and Mario’s wives brought their skills, style and grace to the mix and established their invaluable place in the thriving company.

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Azucena

Azucena

Founded in 1947 by Luigi Caccia Dominioni, Ignazio Gardella and Corrado Corradi Dell’Acqua. The Italian brand Azucena has always stood out for its collections that combine formal elegance, luxury, pure and crisp aesthetics and a very high workmanship.
The brand that the architects decide to call Azucena from the gypsy name of the play ‘Il Trovatore’, is created both to collect some of their furniture projects to be used for the furnishing of the buildings they design themselves and to be able to individually produce some furniture that is part of a series of furnishings designed by them. The three designers then start a rich production designed by them to take advantage of a repertoire of furnishings available for the houses they design. They are furnishings, lamps and experimental objects, which boldly use new materials, combined with traditional ones in a surprising and contemporary way, combining and often overlapping industry and high craftsmanship. Lacquer, polished chromed brass, crystal are the preferred materials in a constant search for brightness, brilliance, and transparency, which sometimes alternate with the softness of the velvet or the richness of the leather.

With Azucena a unique, very refined collection comes to life, with a series of pieces that have become iconic in a short time, characterized by the union of different materials, but always sought after, and by the recovery of traditional stylistic forms; above all the Catilina armchair, almost a Roman throne, where you have to sit down in a composed way, a concept much loved by the architect Luigi Caccia Dominioni, but also the Cavalletto table, with sinuous and rigorous shapes, reminiscent of the drawing benches at the polytechnic of Milan, or the Chinotto armchair, a small off-scale not without irony.

The lamps have a privileged position within the Azucena collection: Luigi Caccia Dominioni pays particular attention to light and lighting fixtures, taking advantage of unusual materials and techniques in a new and modern way. The result is some models of extraordinary beauty such as the famous Imbuto floor lamp, with a clear reference reinterpreted in a sober and cultured way, or as the cast iron table lamp, where the name itself reveals the author’s technical choice, or even as the Monachella reading lamp, light, transportable thanks to a ring at the end of the rod, conceived by the architect Caccia Dominioni not casually, but inspired by the headdress of the nuns of a Milanese convent, which he was building.

In 2018, the Azucena brand was acquired by B&B Italia, which wanted to preserve and relaunch it, in an active vision of the Italian heritage, the historic brand returns to the market with a series of “modern classics” designed by the architect Luigi Caccia Dominioni since the end of the 1940s. Chairs, sofas, tables and lamps that have written the history of Made in Italy design and which return today as a testimony to class and quality.

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m6 -Ferrero1947

M6

M6 is a project by Luca Montrucchio for Ferrero1947, which is born from the reflection on the behavior of the different materials and those who work in front of a fixed and predefined scheme.

The fulcrum of the project is a square, lightweight, tapered structure made of 6 mm diameter, black painted iron rod and completed by a horizontal cover with 2 vertical limbs to turn it into a seat or stand.

In a second phase, were selected six different materials : wool, glass, perforated sheet, leather, linen and wood rope, and the finished structure was assigned, with attachment the cover scheme, to 6 artisans, experts in their field, who interpreted the precise design of the designer, also technically solving the fundamental knots for the manufacture of the product.

The selection was rigorous:

for wool: the Dutch weavers of Thomas Eyck, who are experts in Irish wool work

for glass: Cristal King’s glassware in Turin

for the perforated sheet: the blacksmith of Roero Gatto

for the leather: the pellet and the Pinerolese saddle Calautti

for the flax rope: the ancient Massia hammer manufacture

for wood: Tesio, the historic Piedmont carpenter collaborator of Carlo Mollino

The result is a hybrid object, a table of chairs or seats, in all the different types, to be used individually or assembled with infinite combinations.

To complete the M6 ​​collection there is a bench, obtained from the repetition of the module, with seat in monochrome patch fabrics, and a wall structure, with the same proportions and lines, with inserts in perforated black sheet metal.

M6 is available from November in the FERRERO1947 gallery in Turin, in corso Matteotti 15 or online by mail.

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