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Tag: Konstantin Grcic

ClassiCon

ClassiCon

ClassiCon is a German company, based in Munich, that challenges time, presenting a design that has spanned the centuries without losing appeal and modernity; its name itself is a “classic” and “contemporary” case, highlighting its duplicity from the beginning, aspiring to offer pieces of established characters who have made the world of design history since the early 1900s such as Eileen Gray and Eckart Muthesius, but also to promote contemporary design and present examples of new design with advanced quality and shape, giving it the “classic” designation. The brand is synonymous with high quality, strong individuality and timeless aesthetics, out of passing fashions. Classicon objects are timeless pieces, combinable in any domestic or business context, with a strong personality, but outside the most fleeting trends in the world of design.

Many collaborations with young international designers, with whom the company establishes a lasting partnership that continues over the years, creating a design history linked to each individual designer. The most intense and productive partnership is certainly that with the Munich designer Konstantin Grcic, who, since the first projects with the company, has included refined references to the iconic design work of Eileen Gray: the projects of Konstantin Grcic, who later became a star world of contemporary design, I am the result of careful reasoning on ergonomics and the contemporary way of life, with cultured quotes to the masters of design in a never banal or dusty reinterpretation.

Eileen Gray’s projects are all produced and present in the Classicon catalog, which is the worldwide licensee of Aram Design Ltd: in the early 70s Eileen Gray began to collaborate with the manufacturer Zeev Aram to develop her furniture and its lamps for series production. Finally, in 1973 the designer signed a worldwide contract with Aram Design in London to bring all her projects into production for the first time. Classicon is therefore the exclusive licensee of the entire Aram collection by Eileen Gray.

Quality is a fundamental element for the company, so much so that each piece is indelibly and consecutively marked and numbered, as a concrete and visible testimony to the attention paid to the production of each individual specimen. The Classicon signature therefore guarantees the use in the production of high quality materials and methods, with compliance with all ecological requirements; the quality control of the production is very high. The logo and the progressive numbering offer the guarantee that each limited edition is an authentic replica of the original, made with the consent of the rights holders and with absolute respect for the original itself.

High quality and timeless furnishings are therefore the key points of the ClassiCon philosophy, which can boast the presence of its furnishing elements in numerous European and international design museums.

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Flos lampade: artistiche innovative lampade creative

Flos

For fifty years Flos has created objects of light and ignites generations of dreams, it was born in 1962 in Merano by the will of Dino Gavina, genius of Italian design and great discoverer of talents.
For Flos, light is the material with which to express new ideas and illuminate unexplored emotions.
The company philosophy can be summarized in these passages: “We write the future, reading our past and expressing today, in a continuity of concrete challenges and bold choices that have shaped our image and identity. Our history has taught us to keep the fire of provocation alive with the search for new poetics of functionality ”
Following instinct has always allowed Flos to create products that become icons, invent types and set new archetypes.
The design paths are many: to identify with the masters of design, such as the Castiglioni or Gino Sarfatti brothers, who sign some of the most famous design lamps in the world such as Arco, Taccia, Toio …, but also to continuously discover new talents. In fact, all the most interesting personalities in the world of design collaborate or have collaborated with Flos: from Philippe Starck to Marcel Wanders, from Jasper Morrison to the Bouroullec brothers, from Michael Anastasiades to Nendo to name just a few. The strengths of the brand, which always place it at the forefront, are manifold, among them, a rare element for a contemporary design company: having great technical and technological authority and being part of mass culture.
Experimentation has allowed Flos to adopt revolutionary materials, such as in the past the cocoon, with which it developed the first lamps of the Castiglioni brothers, and more advanced technological solutions, represented today by OLED and sustainable materials.
Precisely for these reasons, inventing new languages ??around light means for the company to indicate new aesthetics and freedom of life, never forgetting, in the lamps of yesterday and today, to take seriously game and irony.
On the fine line that divides and unites art from design, artisanal production from industrial production, the limited series from the large-scale one, the individual’s thought from the collective one: This is where Flos is and it is there that we can find it. The Flos catalog is divided into different sectors to satisfy all the needs regarding light: a decorative part, including home lamps designed by the most famous designers, a technical part, for high-definition lighting systems for public spaces, and finally a part dedicated outside to illuminate, according to the same aesthetic and technical characteristics, terraces, gardens, swimming pools, streets, squares …

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